During conversations, we came across Nikola Tesla's fascination with the frequency of 369 hearts. According to him, it is the cosmic key to the universe. Yes, that would be a perfect theme for my first song, but how can you pack 369 Herz into a song without it sounding too weird? Deep house lent itself to incorporating subtle breaks and playing the frequency into them. But I also wanted to tell a story with my song and that wasn't enough. And that's how the story told in the song came about.
A little robot tries to generate the cosmic key with a frequency gun, but it doesn't work. So he tries all combinations of the numbers 3, 6 and 9 and gets annoyed every time the attempt fails. The melodies that are played are also made up of these combinations and therefore sound a little spacy. Finally, Robo generates all the frequency combinations at once and lo and behold, this is the key to the universe. Robo is happy and realises that Tesla was right.
The song and its little video still delight me today. But I actually wanted to convey even more, entire stories with which I could transform my impressions and views into music. And so I spent 1.5 years composing and producing my first concept album. The musical genre is not easy to categorise, as different styles of music appear depending on the intention. In general, the album moves between art rock and art pop produced with synthesizers, electric guitar, vocals, AI-generated voices and recorded sound effects.